KEXP: Seattle's Living Room

I needed to settle in with WiFi for a bit to catch up on work so I drove over to the KEXP studio public space.

Plenty of reasonably comfortable couches and chairs, KEXP playing over the nice sound system, espresso counter, this is Seattle's living room.

I got my usual coffee drink, settled in and took care of the electronic work. The WiFi worked fine, so I was able to get done in time to join the group let into the hall outside the studio to watch an interesting performance.

Gerald Collier, Friselle and John Doe each performed some Woody Guthrie material and spoke about Guthrie's influence.
The performance was mic'ed and produced extremely well, the sound we got through the speakers in the hallway was exceptional. A crew of 3 or 4 cameras operators stood and squatted in the middle of the circle of musicians, filming and taking pohotos. We had been warned not to try to take any photos or they'd remove us, so the photos available from KEXP are all I've got. They took enough footage and I'm sure they recorded the whole thing on multitrack equipment so with any luck they'll provide the performance video at some point. KEXP's videos have wonderful sound and clean clear video.
Not that this video has much to do with the performance we saw, but it's a nice example of KEXP's video ouput. Perhaps 30 of us, from geezers like me to 4 year olds being held by their dad all stood rapt and listened. Then the performance ended and we went back into the public area, Seattle's living room. I pulled the laptop out to get back to work in a better frame of mind than usual, I have to say I enjoy getting to hang out at the KEXP space.

Shane Diamanti Headlines the Vera Project Friday October 16

I'd only done two interviews on my blog, but Shane Diamanti saw the Knowmads interview and hit me up. Shane was a teenager in High School in Lynnwood and had a bit of viral success in early 2013 with his Dictionary Freestyle Rap.

This is a Dictionary Freestyle I did during hip hop club! I hope everyone can enjoy! Our hip hop adviser just start throwing me random words out of the dictionary and I went off of that and it came out pretty dope! There are some parts where it's muted because our hip hop adviser said I couldn't upload it unless I muted the part's I swore so I did! But hope everyone will enjoy the freestyle I did over Sunshine by Atmosphere!
Posted by Shane Diamanti on Thursday, May 2, 2013

I was a bit flattered and happy to interview Shane. Shane dreamed of being a successful performer and wasn't shy about reaching out. I wondered how things would go for him, if he'd ever achieve his dream of headlining shows.

A couple years later in early 2015 Shane got in touch and let me know that it was going pretty well! He had a show at El Corazon in May, and if he wasn't headlining at least it was his EP Release Show. I went ahead and interviewed him before the show and while I missed that show I was able to catch him opening for Mark Battles at the Vera Project a month or two later.

Talking to Shane before he managed to make some of his dreams come true and seeing how he worked towards them, in some ways the worst things that happened to him were the best things. They got him out of his comfort zone, motivated him like nobody's business, and inspired his music. It wasn't clear to me how he might achieve his dreams, and I doubt it was clear to him when he was still in High School, but in adversity he found his commitment to his craft and pursued that like a maniac and the rest is just the details.

So the latest news is that Shane is headlining a show this Friday at the Vera Project.


I'll be there. I'm signed up as the show photographer, but that's probably wishful thinking. If any of the key slots needs to be filled I'll end up doing that instead, so I may end up at the front door or in concessions or roaming security, we'll see. In any event I'll end up helping out with cleanup and I'll sneak into the show room and catch some of the show at least. If you make it to the show, say hi!

TacocaT, Chastity Belt, S and Childbirth at the EMP Pop Conference

I've mentioned that I like to take engineers visiting from out of town out to see some local music. Recently the EMP held the annual Pop Conference with the theme "Get UR Freak On: Music, Weirdness and Transgression" and booked TacocaT, Chastity Belt, S and Childbirth for an opening show in the Sky Church.

This is the sort of different musical experience available in Seattle that would be hard to come by in most cities. The top few cities have comparable and better - NY, Chicago, LA, and a few other huge cities have truly varied and huge music scenes, but few cities under 1 million have the variety and depth and deep bench that Seattle has. This is exactly the sort of show I look for to take the visiting engineers - it's even all ages!

There are challenges, though. The Get UR Freak On theme and sexual content and tone are generally not appropriate in a business environment. On the show web page there were links for the bands & one of the links led directly to "I Only Fucked You as a Joke"

From the album it's a girl!

While this is a valid artistic expression and probably more common than anyone wants to admit (and a great song!), this is inappropriate in a business context.

On the other hand, we're talking a business context in Seattle, after all. And I've had mild problems with boundaries on occasion too, I overshare on occasion and... well, I talked myself into it.

I mitigated the risk of triggering corporate pain and HR investigations (can you tell I work at a large corporation?) by adding a "BTW If you follow the links and listen to the bands, use headphones. Some of this stuff is NSFW - REALLY!" clause to the email and sent it out to 10 coworkers at Cisco. I wouldn't try that with a larger list or a list that included more people that I didn't know well, but I felt safe in forwarding it to my coworkers, we're all adults with reasonable senses of humor.

It was a great call, of course, but that was never in doubt as far as bands go. About the only thing that didn't go well is that we took so long eating dinner before the show that we missed Childbirth - dang, they had songs I wanted to hear live. Better luck next time, I'll have to keep an eye out for them.

We managed to make it for a classic S set: introspective and haunting, guitar driven without wailing, more a reverb and space approach. Sometimes the lyrics were more out front with multiple parts, sometimes the lyrics faded into the songs yet echoed with emotions felt from a distance or remembered with fading intensity. The instruments change up on occasion for some keyboards but the haunting quality and the feeling of remembered emotional intensity remains.

The EMP Sky Church is a great place to see a show, nobody is very far from the performers and the sound is excellent. My cell phone shot above doesn't do it justice, but it gives you some idea of where we are and the scale of the performance space, anyway. I found a nice creative commons photo from Joe Mabel (here's his flickr page)

I enjoyed it but the Indian engineers were subdued - it's kinda subdued music as far as that goes, I suppose. They were looking for more active music, stronger beats and motion and dancing preferred. Dancy pop music would be more up their alley.

Chastity Belt was up next and while they're not poppy, they certainly brought a higher energy level, louder beat and more positive subject matter to the table. Chastity Belt is more guitar oriented rock and roll, loud with backbeat and a full sound - rhythm and lead guitar, bass, drums and solid rock and roll vocals. Not pretty and polished, more powerful and sneering or laughing - sometimes with us, sometimes at us, a committed performance with a fuck you if you don't like it attitude. That very attitude makes it more appealing and evocative. I just convinced myself they're punk rock too (coming from me that's a compliment) but I've never sweated the categories all that much..

Since my cell phone photo is lame as usual I dug up another creative commons photo so you can see what we saw. Heck, with my nearsightedness we're probably seeing more than I saw at the show in this photo, it's got details! (This photo is from Joe Mabel again; his flickr)

The vocals in Chastity Belt are classic rock and roll, not pretty but expressive, able to get a bit raw, to surge to a powerful crescendo and wind it back, but used in a pretty aggressive manner. This is not subtle music, this is loud amplified music that knows it's load and amplified and likes it and has a swagger or maybe a strut.

Fun set, talented band worth seeing in a great venue.

Next up was the sheer (surf?) pop sweetness of TacocaT. This was the perfect for the visiting engineers. Well executed songs, guitar driven with a great beat, very dance friendly. Bright and exuberant, TacocaT has so much fun you can't help but have fun too.

I have no idea if the visiting engineers were able to hear the vocals and understand them, they all speak and understand English very well but getting TacocaT's word play and underlying meaning can be challenging. Figuring out cultural references the first time you hear a song in a live setting in a non-native tongue would be challenging.

That's OK, they loved the show based on the music and the beat and the performer's visual appeal and what they got of the word play, it was a wonderful upbeat fun set. TacocaT always puts on a great live show - you should see them outdoors on a sunny day with a bubble machine!

Thanks to three kick ass bands for providing a great show and a different perspective and entertaining some friends who flew pretty much all the way around the world for the privilege. I love showing Seattle's music scene off, especially when the bands are so talented and fun. Another great show!

2015 EMP Sound Off! Ruled Like It Always Does

I work with engineers from India who visit Seattle for a few months and work on assorted technical issues around our Mediasense media recording server appliance. As a total local music geek, I've taken it upon myself to make sure they get a good introduction to the Seattle music scene before they head back home.

It's tricky - finding a good show that fits 4 or 5 schedules, making sure we have some way to get there and back, making sure it's not too weird or offbeat (I like that stuff but many don't), the venue's not too dive-ish, etc. All ages shows tend to be a good bet, less drinking and more focus on the music

Every Spring the all-ages EMP Sound Off! shows happen in February with the Finals in March (more or less). This is reliably one of my favorite sets of shows every year. I love getting to know new bands and I'll get to see 12 bands I've never heard of (well, this year I'd heard of 2 but that's an outlier, never happened before). The EMP chooses great bands from a variety of genres out of a large number of applicants and the talent is always amazing.

Each of the 3 semifinal shows has 4 bands, for example we saw Bleachbear, Supersoaked, Champagne Babylon and Night Space. The bands go on in a random order and play for about 40 minutes each.

Bleachbear winning their Semifinal round

Champagne Babylon got the Wild Card runner up spot

Super Soaked rocking out

The judges gather after the show and award a winner and a runner up. There's also an audience participation award; we (the audience) scream for each band and the band with the loudest fans gets some additional prizes. The winner of each of the 3 semifinals goes to the finals. One band from the 3 wild card (runner up) teams is also selected bringing the total to 4 bands.

Once again the 4 bands play in random order and the judges award the title and we all cheer and head home happy and sweaty after another great night of music.

The winner gets studio time and equipment and a performance slot at Bumbershoot. There were a couple of additional festivals with buyers in attendance signing up bands for the year's regional festivals.

This year the energy was very positive and we had a wide range of acts and styles of music. I enjoyed the heck out of it and every single band I saw is worth keeping an eye on. Bleachbear, Naked Giants, Emma Lee Toyoda and One Above None Below have all been getting gigs around town & that's just the shows I noticed.

In the finals One Above and None Below came from the Wild Card slot to win it all with an electric performance against intense competition - intensely happy and upbeat competition, every single act seemed to be having the time of their life and obviously enjoyed getting to play for us.

The peak acts got us dancing and sweating and having a great time, and every act was interesting and different and unique. It was  a memorable introduction to the all-ages Seattle music scene for the engineers who'd flown around the globe from almost the exact opposite side.

Mudhoney plays the KEXP Friday in August Mural Amphitheater show

I managed to wander by and catch Mudhoney rocking out at the Mural Amphitheater. Awesome set, mosh pits breaking out here and there; the Clark bar samples were good too.

Mudhoney was in great form with powerful guitar riffs using distorted sustain to ring and growl, and the rhythm section more than keeping up their end of the sound with the bass frequently anchoring the melodic core of the song and always driving the tempo and the drums consistently playing hard, loud, fast and tight. Mark Arm's vocal's were somewhere between sung and screamed, plenty of attitude and power. Loud thrashy obnoxious feedback filled rock and roll on the Mural lawn on a nice Friday evening in Seattle - buy yourself a few microbrews in the beer garden and you've got the "it doesn't get any better than this" beer commercial. As I wandered off to catch the bus and looked at the sunset over Elliot Bay and the Olympics on the way home, it actually was a little hard to imagine life getting all that much better.

Tiny Bit of Folklife

I still get out and see shows now and then, but not at anywhere near the intensity I used to. Things get busy, I get lazy and depressed and just don't get out as much. I almost skipped Northwest Folklife Fest this year, even though Shelby Earl (one of my favorites!) and many other excellent acts were performing there. Luckily Dana got interested which helped motivate me, so we headed down and checked it out for a bit.
It was raining so we didn't stay long for the outdoor stages even though the bands were good. There was music all over and a light sprinkle of rain.
For the dancing enthusiasts they had live music in the Armory, I'd guess this is salsa dancing but I have no clue. Normal Folklife - buskers all over, you could hear some excellent musicians and performers and often have no idea who they were, they just set up in various nooks and crannies around the Seattle Center and let there muse flow. Some bluegrass with a couple of very young musicians: The marimbas by the key were fun, never seen that many in one place before. We stopped in and listened to an ambient performance at the Vera Project too. It was a busy weekend so we didn't get to see all that much of Folklife, but what we did see certainly covered a wide spectrum.

Music Tapes at the Vera Project

I was excited to see that Music Tapes was playing the Vera Project. I saw them put on a beautifully strange show at the Vera a couple years ago with Olivia Tremor Control and the stories told on stage about Hungarian Gypsy circus performers really stuck with me, and so did the world's largest metronome.

Julian Koster has a different vision of what live performances are, using narratives and props to a much greater degree than any other small venue touring band I've ever seen. If I thought the last show was more narrative and prop driven than most, I had no idea what I was in store for this time - it was the traveling imaginary tour!

The band put up a circus tent inside of the Vera Project, and the audience was full of parents with little children. The show takes place in and around the tent, with Julian leading the children and the adults in organized play and contests before the music started.

They brought back the world's tallest metronome and added the drowning sailor and games of skill involving balls and giant snowmen, there were Hungarian Gypsy circus stories - mostly different stories, Julian appears to have quite a few. It was another fun yet totally unexpected and imaginative show.

The first couple of songs were Julian on the musical saw, then on a banjo played with a bow while he sang: Different sounding song, odd and a little small, but it has an undeniable emotional impact as the descending banjo sounding a little like a violin winds through the song.

There was plenty of music on a combination of normal instruments, some used differently (bow on banjo in the above video) and some less usual instruments like musical saws (a saw played with a bow) and the worlds largest metronome and the odd percussion thing to the back a little on the right, I have no idea what they call that. Here's the bit where they introduce the metronome then the giant (drowning?) sailor assembles for an almost indescribable number with the music starting around 2:00 in.
Between the odd rhythms and the horn driven sounds I can sense the circus roots, but the horn break around 2:30 or just after defies easy classification - this stuff is the Music Tapes, and not much else is like it.

I was happy to see that they had several new tricks up their sleeves like the game of skill involving the snowman and throwing balls at the moon until you break it.
They play more conventionally on some songs like this one, but it still has a musical saw and that odd percussion thing going, so it's only more conventional than the other even odder Music Tapes songs, it's still way out there in unconventional music territory. As a long term novelty seeker, this makes me very happy. They are dedicated to a unique artistic vision, and they pull you into that vision through their artistry and commitment. The odd atmosphere with the occasional barker leading the audience into participating in games (the ladies got be firefly fairies with lights before the show) and play, the high proportion of kids, all of us seated in the circus tent watching the show, it felt like something out of a Ray Bradbury short story - and that's a pretty big compliment, coming from me. Definitely an all out experience, not bombastic or sensory assaulting, just different, like we were slipping into an alternate universe where the old school European Circuses never faded away into something different and they still circle the globe , bringing an evening of alternative reality to those of us lucky enough to find it.

Land of Pines, Special Explosion, Peeping Tomboys and Iji at the Vera Project

Land of Pines put on an EP release show on May 4 and I signed up to steer well ahead of time. I've seen Land of Pines a few times, opening for STRFKR/Champagne Champagne (a pretty epic show) and at the CHBP on the Vera Stage in 2011 and at Reverb Fest later in 2011 as well. They're always fun to watch and listen to, so I signed up as soon as I saw they were doing the show. I bused to the Vera - the weather was nice and hot so I got a little warm lugging the tripod and cameras and laptop and dinner and all, but it was really nice getting some sun and working on that vitamin D deficiency.

We got a good crew of volunteers and they made it easy to steer - all the critical front door posts were filled, and so was concessions and roaming security, so I just had to check in periodically. I was able to get the whole show on video and take lots of pictures. First up is Iji. Iji is a local Seattle (or nearby) band that I never quite caught. They play local shows, they toured with Megabog and I saw Megabog, but not with Iji. Must have been a different tour. Anyway, I was happy I finally did manage to catch Iji. Guitar, bass, keyboards and drums, with a woman on drums. I'm not sure I'd point that out normally, but we did get a shout out form one of the bands noting that we had many great women performers playing, more than you tend to see at most rock shows.
Iji has a nice guitar driven sound with good dynamics, I enjoy the way the guitar rhythms play against the drums in this one, their final song:
The song has a nice sense of movement and development, pulling us along with it's instrumentals during the break and circling back through the lyrics, with the upper end into the falsetto drifting over lightly, slightly questioning and detached, perhaps. Nice use of song structure and tone to set a mood.

Peeping Tomboys were up next. Funny name, tomboys culturally are "girls who act like boys" and peepers are usually boys or men, so the using that name for an all girl band definitely opens up some thoughts on sexuality and sexual identity. While looking through my pictures from this show, I noticed that I have photos from Peeping Tomboys playing with Silicon Girls too (Silicon Girls was all men, so the gender identity stuff which was never an explicit topic as far as I noticed was in play there too) but that's another story. They have the same power trio lineup with the guitarist doing most of the vocals, bass and drums. Good mid range guitar sound, nicely built rhythm carrying interesting songs along and supporting the vocals. The drummer does a good job filling some of the transitions and solos too, they never have a weak or anemic sound, it's always working in the context of the song.
This one uses a descending chord progression and some fun backbeats and rhythms to build into a fun song:

Special Explosion had the penultimate slot.
Lead, rhythm and bass guitar with drums and two vocalists. The guitarist/vocalists did most of the vocals, with the bass player also contributing on occasion.
On thos one they get an angular, jangly opening into a fairly rich, complex instrumental bit before the vocals come in a bt over 90 seconds in. I love the droning sound of the vocals and the transition from the vocals back out to the jangling guitars, and the building leads coming across the vocals around 2:45 to 3:00, then the structure changes and you get some repeated almost paused tempos, the rhythm is quite complicated. I enjoy the song structure and really like the leads and the sense of anticipation as he builds that delay into his licks. Nice stuff. The second song starts about 5:25 in and has dual vocals, also worth checking out.

There are several more tracks from each of the bands on my YouTube channel like this video of Special Explosion closing out their set, so if any of these pique your interest, by all means check out their other tunes on YouTube.

Next up was Land of Pines, the headliners.
They roll with 2 guitars, bass, keyboards, and drums. They have a great sound, mixing elements from the different band members as needed, making great use of dynamics. Songs have bits where fewer instruments are playing, then the song intensifies and more instruments join in, with nice rhythm guitar hooks and the rhythm section chugging along until the final climactic breakdown.
Nice song, nice sound. It's good to see Land of Pines headlining a good loud show with some interesting attitudes and themes on display, here's to hearing the new stuff on the radio and more chances to see all of the bands again. Special Explosions in particular look poised to headline their own shows, and Land of Pines should be increasing their draw with some radio airplay and perhaps getting some larger venue gigs. These bands are all working hard and putting on good tight shows - Seattle has an embarrassment of riches with so many solid bands at every level.

Defunked, Marina Beat and Junk Drawer at the Vera Project

I signed up to steer the Defunked show at the Vera Project without knowing anything about the bands, pretty much par for the course for me. We had a small volunteer crew but we handled things well enough and Junk Drawer took to the stage to open things up. I enjoyed their set quite a bit. They had guitar, bass, keyboards, drum, and vocals, a nice sound and a good group vibe.

Here's a nice number they did: The lead singer said something like "if you don't like this song's genre, just hang on a minute and it'll change with the next song" which was amusing. I got a chance to talk to her a bit between acts and she told me the different interests of the members of the band drove that wide selection of genres - the punk bass player, classic rock guitarist, jazz keyboardist - I'm misquoting her to some degree, I ought to take notes since I know I'm going to be blogging about it. I also thought from her shout-out to Riverside and the headliners that her band was from Riverside, it was more along the lines of several members were from there sometime back, they're a local northwest band.

Next up was Marina Beat

Marina Beat has dual guitars (strats), bass and drums, and a nice fast upbeat rock sound:

They played several songs I liked, this one is "Hey Josephine"

Two talented bands already, and the headliners perform with a horn section - I love horn sections!
Defunked took the stage, and they filled it. The horn section with two saxophones and a trumpet along with 2 guitars (1 Strat style and 1 Les Paul style), bass and guitar. They play fast loud rock and roll with a punchy horn section and plenty of noise and pounding to make you want to bounce around and work up a sweat. Nice stuff with that kick-in-the-rear beat that makes you want to move in time with it. Fun rhythm changes, ska sounding guitars, it opens a bit more punk, moves more ska in the middle, then back to that punk fast thrashy beat.

I like the breakdown that leads into this one, and the different paces that rise up, giving it a back and forth feeling. It switches back out to that slower feeling beat, more tentative or pent up, then back to the main beat - and the second horn breakdown around 2:00 in is pretty killer. They also just nail the ending, fun song done extremely well. I like this stuff!

Fun show with three talented bands, I hope these bands are able to connect with the kind of solid fan base they deserve, the music they cranked out was fun and makes you want to bring others to hear it. At it's best, it demands to be danced to, and I just love a good funky band that plays fun music that irresistibly gets you moving.

Internet Memes: Brony

My son turned me on to "My Little Ponies" and the Brony movement. The "My Little Pony: Friendship Is Magic" cartoons are watched without irony and the music is listened to obsessively. In addition to the cartoons, there is a whole universe of media - similar to fan fiction, but with music and storyboards and the occasional animated bit. Ben listens to a wide variety of musicians doing an odd assortment of styles - with plenty of dubstep, for some reason.

While attending last month's Steering committee meeting at the Vera Project, Beth mentioned they had a Brony show coming up. I checked with Ben and signed us up for the show. Music about rainbow colored horses with tatooed buts and occasional wings or horns, couldn't be much odder than the wizard rock show we saw.

The show was put on by the Everfree Northwest folk. They run a yearly convention for My Little Pony fans and use this event to build some excitement and sell some convention tickets. I enjoy the brightly colored hair and horse ears.


The show kicked off with Tarby, who played guitar and sang with a saxophone player accompanying him.
Interesting sound, I managed to get a bit of video of the performance here:

Next up we had Maestro Scherzo playing something in the alto sax or oboe range, a reed instrument, anyway. Definitely getting plenty of reed instruments!

Speaking of plenty of reed instruments, the Cutie Marks and Donn Devore (I'm torn, the show schedule said Don DeVore, but a YouTube video said Donn DeVore) set had one too.

I enjoy the beat and the sound in this one:

The final act was DJ Everfree. He had some fun laser effects; I didn't video tape his set but I took some pictures.

The audience also put on a show with the wigs, t-shirts, and lots of pony ears sticking out on top of everybody's hair. It was somewhat odd and silly, but earnest and non-ironic, and actually quite fun and different. Just like My Little Pony: Friendship Is Magic and the Brony movement in general, kind of hard for an old fossil like me to process. My 15 year old who is bigger than me and needs to shave watches juvenile cartoons and appreciates their message, and then he listens to Brony music. Rainbow colored cartoons. With ponies and unicorns and some have wings and many have magic. Then lots of 8 bit music and dubstep and pop and disco all about ponies. The Vera show didn't cover all of those genres, but it gave us some fun music and songs about ponies and friendship and magic. Totally new genre for me, which is all good as far as I'm concerned.

January Veracity with Tangerine, Thee Samedi, Kathy and Rebel

Another interesting Veracity show last night at the Vera Project. The order of the bands got switched a little due to a late arrival, but the show went off smoothly.

Kathy was the final act confirmed for the show, they roll with a guitarist/vocalist and a drummer. The vocals are mostly incidental in most of their songs. The guitarist plays facing sideways, so the drummer is in his field of view. The guitar is prominent, a bit distorted with plenty of echo and sustain. The first song builds slowly from the guitar, adding the drums in after a few measures. The vocals are quiet, a minor addition to the song.
Interesting approach, the guitar probably could have been louder but I always enjoy listening to distorted guitars and pounding drums. The transitions as the drums kick in for a while, then stop again for a few measures, then back in again provide some contrast as they work through the song progression.

Next up was Rebel, a hip hop performer working over recorded beats. This one is a Seattle song that talks about needing sunny days and rain.
The third act was Thee Samedi.
The front man definitely carried on the traditional over the top rock extroverted front-man role. Above and beyond the music and the singing, he put on a performance for us. The band's instruments are the classic power trio guitar, bass and drums setup, and it worked well with the band crunching out angular punky sounded thrashy music and the vocalist sneering and writhing, stripped down to his pants - no shirt no shoes, obnoxious service, classic punk approach.
Eventually he added some colorful touches with the help of the audience and started writhing on the ground while singing.
You should've been there, it was a pretty classic performance. We had 3 or 4 older adults watching them from the catwalk above and I couldn't help wondering if the lady taking pictures with her cell phone was his mom. Definitely a fearless performance!

The final act was Tangerine, who varied their instruments a bit from song to song. They always used the bass and drums, performing some songs with 2 guitars, some with 1 guitar, and some with a guitar and keyboard. All of the musicians added backing vocals, with most songs have choruses with "wooh-ahh" style group backing vocals. I enjoy the vocal complexity and the more complex arrangements, I miss this a bit. It seems like it used to be a more common approach but few bands use it recently, so I definitely give Tangerine props for it. It takes some effort to work out parts and practice and discipline for the musicians to play their music and come in together on pitch effectively. Nice song structures, well rehearsed coherent sound, definitely enjoyed the set.

Fun Veracity show with quite a variety of bands and sounds, and the attendance was quite good too with around 50 people in enjoying the show. Andrienne has been doing a great job getting shows together and getting a crowd to show up to see them. Thanks, Andrienne, and thanks to the performers for a fun show!

Mt. St. Helens Vietnam Band and Fresh Espresso at the Vera Project

Marshall has been a member at the Vera Project for a few years, running lights at shows and hanging out with the rest of us volunteers and having fun. Marshal is in high school and enjoys socializing and pretty much always seems to be happy, great kid to hang out with at a show. After knowing him for a year and a half and working with him at any number of shows, he casually mentioned to me that he was in a band.

"Which band?" was the obvious question. "Mt. St. Helens Vietnam Band" he replied.

Wow - that's the cool local band I've read about - hadn't managed to see them yet - and they have the complex back story involving Benjamin Verdoes and Marshal Verdoes, adoptive brothers...

I realized he was that Marshal - oh! I had no idea. I'd always wanted to see Mt. St. Helens Vietnam Band, now I wanted to see them more than ever.
Seeing Marshall pounding on the drums at a hip hop show whetted my appetite. Marshall joined the DJ and drummed live along with some pre-recorded bits, and the Dj's set got much better while he was playing.

Finally on a Saturday a while back I got a chance to catch the Mt. St Helens Vietnam Band with Fresh Espresso and guests at the Nova Benefit show at the Vera Project. I've seen Fresh Espresso a few times, at a Capitol Hill Block Party After-Party and so on, and P-Smoov is familiar to me for some other stuff as well.
Fresh Espresso does good, fast catchy hip hop music, in this case with a live drummer.
They have a good time rapping, trading leads back and forth, syncing up for some harmony work or at least a little emphasis. Nice sound, Bosanova is pretty cool.
I enjoy the music and the message, Fresh Espresso is a reliably upbeat fun party act.
I also got some footage that I think is "Can the Boy Tell Time" which features Marshall on drums too:
I think "Can the Boy Tell Time" was before Fresh Espresso, but the videos ended up in 1) Fresh Espresso then 2) Can the Boy Tell Time then 3) Mt. St. Helens Vietnam Band order on YouTube for some reason. Most likely I was switching cameras and the order taken off the cameras differs from the order recorded onto the cameras, if that makes any sense.

Mt. St. Helens Vietnam Band came out for the headline set with a typical rock and roll lineup, 2 guitars, bass, keyboards and drums.
Nice sound, I like the way they build this song up from a simple beginning to a nice full song with some complexity and tight control of dynamics and intensity.
They played a nice selection of good, catchy songs. I like the guitar riff that starts about :45 into this one, it's jangly and kinda pulls you along Then when they drop it the feel changes and moves away, circling back eventually, I love the sense of movement and progression. I also enjoy guitar oriented rock, so this is pretty much right up my alley, and parked in my driveway up on blocks, I suppose - almost too comfortable a fit.

The band put on a great show and kept a large benefit crowd happy and entertained, and I'm very happy I finally got to see Mt. St. Helens Vietnam band and found out what all the fuss was about.

It turns out they have an embeddable link for their CD, so here's some of their music if you're looking to pick up a CD.

August Veracity with Camp 10, Sea of Teeth and Watusa or maybe Watusi

We had Joey Lyon as a "guest booker" for the August Veracity show and he put together an interesting lineup with three bands, heavy on guitars.

First up was a fairly thrashy band that had just renamed themselves something like "Watusa" (at least that's what it sounded like, maybe it was Watusi; I didn't get it in writing).

Whatever their name was, the had a classic power trio instrumental lineup (guitar, bass and drums) and a lead vocalist with an occasional bit of backing vocals. Their between song patter was also pretty funny, although I only got a bit of that on video.

I like the energy, haven't heard enough thrashy punky hardcore music recently.

Next up was The Sea of Teeth
Sorry for the doubled image, my camera work was a bit off.
The Sea of Teeth played a regular show in the main room over the weekend so this was their second Vera Project show in a week. They mentioned that their bass player was unable to make this show. I missed their weekend show so now I'm curious what they sound like with a bass player, anyway here's what they sound like without a bass:Good fast guitar oriented rock, fast drummer and pretty tight rhythms, fun hard core sound.

The last set was by Camp 10, another power trio with the guitarist doing vocals and the bassist occasionally doing a bit of backup vocals.
Their sound was less thrashy with an occasional quiet bit, and vocals that were sung rather than screamed, but the tempo was still fast and the rhythms were interesting.
It was interesting hearing 3 different takes on fast powerful rock and roll and I enjoyed getting to listen to the bands Joey booked, very nice show! Joey will be booking another show in October, this time with his and playing too I believe, so I'm looking forward to that.

I'll be booking the September show and a new Veracity chair is spinning up so she may be booking from November on, although I'm not sure. It's been a blast chairing the Veracity committee and I plan on continuing to support the committee, I definitely plan on attending the shows and posting videos and blogs. Free show every month usually with cheap vegan food - Veracity is still the best value available in local music. Check it out if you haven't yet!

June Veracity with Ram Rams and Legion of Sparrows

We got a couple of interesting bands for the June Veracity show. One had to travel to get here and half of the other was about to travel to the other side of the US permanently so there was a random underlying theme to the show.

First up was the Ram Rams, who had a member that lived on the other side of the Puget Sound and would be commuting home by ferry after the show. They appreciated the early timing. I like the visual approach - the common color theme, each expressed individually. The women fronting the band were appealing and the placement (with the dude towards the back wearing less "dressed up" clothing) emphasized them, which was fine with me. As long as I can hear the guitar I'm OK.

Ram Rams have some songs with fantastic titles like "When You Touch Yourself the Baby Jesus Weeps" - an apparently solid bit of Catholic theology that is probably intended ironically but is done without all the ironic delivery that would have made it a less perfect song.

She really does sound concerned about the effects of your actions on the baby Jesus and I like the way that makes it ambiguous.

The music was fun with hilarious songs - the titles alone are gems, and some of the songs had the most inappropriate choruses that I immediately found myself singing even though it was so wrong - "He's a slut, he's a whore, he's the man that I adore!" It's just too catchy!

Next up was Legion of Sparrows, a duo with a guitarist vocalist and drummer. They Legion had been dancing around during the Ram Rams set and enjoying the show which I like - the more movement and the more people having a good time the better the show. They took the stage and pounded away and just obviously enjoyed the hell out of it. Loud and thrashy, messy stuff with an interesting vitality.

They brought up a backup singer and did a final song without a rhythm section. I probably should've trimmed out some of the patter but I enjoy it. This is also where they talk about the drummer going to Maryland after the show.

It was an interesting show, both bands put on engaging shows that were different in their own unique ways - I love the diversity of acts, all the different performers and bands that I'm privileged to see, and I really appreciate both bands being willing to put on a great free show for us!

The bands did get some vegan and vegetarian Mexican food for their efforts - Chipotle Mexican Grill donated 18 vegan burritos and 18 vegetarian burritos so we were able to feed the bands, the volunteers and the staff and have a few leftovers. Major props to Chipotle for supporting my favorite local non-profit!

Says the Snake at the Vera Project

I stopped by the Vera Project after work on June 6 and attended the Diversity committee meeting, then stayed and filmed a little bit of "Says the Snake."

Interesting fairly heavy rock with a woman vocalist. I've heard a mild number of loud heavy rock bands with screaming vocals but this is one of the few times I've seen a scream using vocalist who's a woman, most other bands with screaming vocals that I've listened to had a man screaming. She handles the vocals well so it sounds to me like women can scream about as well as men - a little higher in pitch but a pretty similar overall sound.

I prefer this sort of approach for screamed vocals - switching back and forth between singing and screaming - to purely screamed vocals. Screamed vocals are harder to understand, and I prefer more singing overall with a smaller amount of screaming for contrast and emphasis, which is how "Says the Snake" approaches it. Nice!

I really didn't get to see much of the show and had to leave before the next band so I missed 3 acts, but at least I saw a little live music that was fun and different. Nice way to cap off the evening at the Vera project before catching the bus home.

Saturday at Folk Life Fest

Dana and I went to Folk Life Fest on Saturday and it was hot, fun, and crowded. We were lucky enough to catch some Shelby Earl, I haven't seen her since West Seattle Fest a couple years ago. I really should pay more attention and catch her full act again, she's got a gorgeous sound and a fun presence and her songs made me happy. We also saw an amazing variety and quantity of pick-up bands busking all over the place, pretty much wall to wall music in little micro-climates.
Kids playing at the Mural Amphitheater:
Buskers! All over the place bands pick out little patches of space and start playing for tips and for the sheer fun of playing in public. Constellations of listeners gather round the better groups and you can hear an amazing variety of music with a different band every 20 or 30 feet.
Shortly after recording this I misplaced my camera, so that's it for video.

I heard some great twangy sounding stuff from bands on the main stage while Dana and I were over in the crowds in the vendor area, great music even though you couldn't see the band.
The Sun got hot and the crowds got larger.

If you stayed away from the food areas it wasn't as crowded, and for all the crowding it was pretty mellow. We took the dog and things were fine.

It got hot and sunny enough that I took the dog down through the fountain, cooling off with a blast of cold water as I ran through the bottom area with all the kids. You can see the damp spots on my clothes, and the pants and shoes were good and wet too. It made me feel much cooler and the dog liked it too.

There were some human statues and some other odds and ends in terms of street performers sprinkled in here and there too:

I managed to catch some additional good music, even if I didn't get any video.  NighTraiN at the Vera had an excellent groove going.
I think they played a Veracity gig at the Vera a year or more back, and I saw them at Reverb Fest too, I enjoy their shows.

As I said, there were all kinds of bands and buskers all over the grounds. I liked the drums in this one man band setup, he had one for each foot with a clever mechanism to hold the two drums and play them, one for each foot.

We also checked out many of the vendors which adds a visual element to the afternoon's entertainment. Dana really liked the Faerie wings and had me get a photo, and there many stalls with interesting crafts and arts. 

You know you got lucky on the weather when both fountains are packed and you're glad they're available.  

I was glad to see they had the Broad Street lawn set up as a stage, along with the Mural and the Fountain lawn and the Northwest Courts - 4 stages up there, two outside

...and the EMP Sky Church and the Center House (I didn't actually see any acts at the Sky Church or Center House though) so that's at least 9 official "programmed" stages and 50 or 60 unofficial busker locations all going at the same time. I'm pretty sure I'm leaving out additional programmed stages for dance music in the Exhibition Hall and other events in the various playhouses and stages and performance spaces around the Seattle Center.

It was a smorgasboard of music, walk from live act to live act, drinking in the music and performance, once you're satisfied with enough of this, wander over and get some of that. Hundreds of buskers going at any one time, perhaps more than a thousand over the 4 days of the festival, and it's mostly spontaneous and self organizing. I wish I had more time and energy, and maybe a team, so we could go in and record 10 or 20 acts at a time and get 100 or more hours of video a day and actually semi-document what is going on in all it's variety and spontaneity. Nice fantasy, mostly caused by a desire to actually get to see more of the performances. At best I'll see a handful and just on the day I go, so inevitably I'll miss all kinds of good live music. At least I didn't miss it all!

Sleeper Agent and Us On Roofs at the Vera Project

I steered the Sleeper Agent/Us On Roofs show at the Vera Project this Sunday. We had a good crew show up, enough volunteers to handle front door and concessions, plus a shadow (she's learning to steer, so she "shadows" me, the regular steering guy). Having a shadow means I get to have her do some of the steering overhead so I can watch more of the show and it's easier to film and take pictures.

I got the video camera setup and filmed Us On Roofs's fun tight set, these guys rock out! Double guitars, bass and drums with nicely complex music very well performed.
The camera on the catwalk gives a more stable but less intimate view:

Sleeper Agent was quite appealing visually and their music kicked ass.

I also got a huge amount of video of Sleeper Agent. In addition to a tripod mounted Flip on the catwalk filming just about all of the set I filmed 3 songs with the DSLR and another couple with a hand-held Flip on the floor, so several songs are recorded twice from different POV.
Sleeper Agent had 2 guitars, bass, keyboards, female lead vocalist, and drums. One of the guitarist was a co-lead vocalist to some degree, and the drummer and bass player and keys all had mics too, I think.
Here's a tighter shot of the 2 "co-lead" vocalists, they're the focus during the performance, mostly.

The red headed red bearded bass player drew attention both for his appearance (loved the red!) and his excellent bass skills, most of their music had that driving bass powered feel that just gets you bouncing and sweating, this is not music that lets you hold still!

The lead guitarist was pretty talented too, but he was very quiet about it, mostly strumming and picking away but not moving much.
The keyboard player was kind of back and to the side, a little hard to see, but he actually was pretty lively during the performance.
The drummer was fun, kinetic, and a little loud, perfect in a drummer. He was also hairy and a bit messy, which also is pretty much perfect in a drummer. You get a pretty good look at him here, along with a good view of the singer in motion:


Here's the hand held POV fairly up close, I manage to cut out the keyboard and the lead guitarist pretty consistently.
Nice sound, great preformance. Here's another great Sleeper Agent song:

There's quite a bit more video on youtube, and I still have more to process and upload. Fun show, two excellent bands!