Showing posts with label Rebel. Show all posts
Showing posts with label Rebel. Show all posts

Wednesday, January 9, 2013

January Veracity with Tangerine, Thee Samedi, Kathy and Rebel

Another interesting Veracity show last night at the Vera Project. The order of the bands got switched a little due to a late arrival, but the show went off smoothly.

Kathy was the final act confirmed for the show, they roll with a guitarist/vocalist and a drummer. The vocals are mostly incidental in most of their songs. 2013 Jan 036 The guitarist plays facing sideways, so the drummer is in his field of view. The guitar is prominent, a bit distorted with plenty of echo and sustain. The first song builds slowly from the guitar, adding the drums in after a few measures. The vocals are quiet, a minor addition to the song.
Interesting approach, the guitar probably could have been louder but I always enjoy listening to distorted guitars and pounding drums. The transitions as the drums kick in for a while, then stop again for a few measures, then back in again provide some contrast as they work through the song progression.

Next up was Rebel, a hip hop performer working over recorded beats. This one is a Seattle song that talks about needing sunny days and rain.
The third act was Thee Samedi. 2013 Jan Veracity 004
The front man definitely carried on the traditional over the top rock extroverted front-man role. Above and beyond the music and the singing, he put on a performance for us. The band's instruments are the classic power trio guitar, bass and drums setup, and it worked well with the band crunching out angular punky sounded thrashy music and the vocalist sneering and writhing, stripped down to his pants - no shirt no shoes, obnoxious service, classic punk approach.
Eventually he added some colorful touches with the help of the audience and started writhing on the ground while singing. 2013 Jan Veracity 008
You should've been there, it was a pretty classic performance. We had 3 or 4 older adults watching them from the catwalk above and I couldn't help wondering if the lady taking pictures with her cell phone was his mom. Definitely a fearless performance!

The final act was Tangerine, who varied their instruments a bit from song to song. They always used the bass and drums, performing some songs with 2 guitars, some with 1 guitar, and some with a guitar and keyboard. 2013 Jan Veracity 023 All of the musicians added backing vocals, with most songs have choruses with "wooh-ahh" style group backing vocals. I enjoy the vocal complexity and the more complex arrangements, I miss this a bit. It seems like it used to be a more common approach but few bands use it recently, so I definitely give Tangerine props for it. It takes some effort to work out parts and practice and discipline for the musicians to play their music and come in together on pitch effectively. Nice song structures, well rehearsed coherent sound, definitely enjoyed the set.

Fun Veracity show with quite a variety of bands and sounds, and the attendance was quite good too with around 50 people in enjoying the show. Andrienne has been doing a great job getting shows together and getting a crowd to show up to see them. Thanks, Andrienne, and thanks to the performers for a fun show!

Sunday, April 29, 2012

4-20 LA, Knowmads, Chev and Superfire at the Vera Project

The Knowmads are one of my favorite local hip hop outfits, so when I saw they had a show coming up on short notice I volunteered. Short notice shows can be short of volunteers, and the Knowmads shows have a reputation for bringing large crowds that like to party, making security a challenge, so they could probably use me.
It turns out I was right: I was the only security volunteer. It also turns out the show was on 4-20, which I had failed to notice when I signed up. Looks like I was going to be Major Killjoy, running around telling everyone to put it out. On the other hand, I know the dudes in the Knowmads - they gave me my first interview - and they're smart and great at communicating.
I checked in with Tom Pepe and told him what was up and he offered to give us a PSA: It worked perfectly - nobody lit up in the venue at all, and working security was a pleasure. Major props to the Knowmads and Tom Pepe for guiding the crowd and giving them a great show! I got some good footage of Superfire with Rebel: SuperFire also had one number with an electric guitar: I like the sound he gets; they don't integrate the guitar into the music, rather they highlight the guitar for a bit then move back to the hip hop. Interesting, I really don't see too much live guitar at hip hop performances, although the Thermals provided a great power trio backup for some spitting at the 2011 Sasquatch Line-up announcement party. The linked blog post has a photo of the Thermals providing the groove (guitar, bass and drums) for assorted members of Das Racist and Mad Rad as they free styled, I really liked that example.
I got Saturdayzed from a hand held video recorder in the crowd while working security: ...but I mostly wasn't able to film from the crowd, I was too busy working security. I put the other camera on a tripod and turned it on when the show started, then didn't get back to it for quite a while. The result is that I ended up with a 53 minute video here that I haven't sorted out, I think it starts with Chev and then the Knowmads. I wasn't sure if YouTube took videos this long but it appears to have worked fine. I think this has the rest of the Knowmads show and then LA in a single video: I enjoyed the show, the Knowmads have several old favorites like the Boat Can Leave Now and Wildflower (this one is from the 2011 Japan benefit show; if you poke around on my YouTube channel I think I have 3 versions each of Wildflower and The Boat Can Leave Now, maybe 4 if you look hard enough) ...and Saturdayzed that I always enjoy hearing, and the new Knewbook material is growing on me - a couple more shows and the new album will be old favorites too.
The Knowmads paid for some of the costs of producing their new release the Knewbook (available for $10 on bandcamp) with a kickstarter campaign, and several of the contributors got "hang out with the band in the green room" privileges at the Vera Show and shout outs from the stage and so on which was interesting to see. The financial and marketing models used in the music industry are changing and bands like the Knowmads could make plenty of money off of purely virtual (downloaded) copies of their work without a sniff of a record company involved in the financing or delivery of their music. Not bad for a couple of 21 year old north Seattle kids, I hope they sell lots of copies of it! Their earlier "Bus Station" mix tape with 24 tracks is available free here last time I looked too, it's worth checking out!