Carina and I loved Don't Talk to the Cops the first time we saw them during Reverb Fest in 2011, so we kept an eye out for them. We got to see them again at Bumbershoot and Ground Zero and the Vera Project too, and every show was a hot dance filled energetic set.
We saw they were playing Heartland (a new venue to me) with some bands that were also new to me and decided to go. In the end Carina dropped out, so Heather and I went to the show.
Heartland is a mildly small space on Roosevelt in the U-District, just North of 53rd. The "stage" is the far end of the room from the entrance, it's not raised or anything. They have some lights up pointing at it, and a sound system too, which worked fine for the crowd of perhaps 40 or 50 that came to see the show.
First up was Everybody Weekend. We were a little late getting in, so we weren't too close to the performer.
Everybody Weekend did an intense set of short, emotional tunes. The intensity pulled me out of the dancing some, getting me into more of a spectator mode as I listened to the lyrics. EW wrote complex unexpected lyrics that reward attention. Interesting opening, nice fit for the venue and the evening.
Next up was Punishment.
Similar to Everybody Weekend in that he sang against pre-sequenced or recorded material, he also sang with some emotional intensity. The crowd enjoyed the beat, dancing and moving some, and his voice carried the song well in this video:
On occasion the performance was low-affect, including a bit where Punishment sang from behind the cloth backdrop, but he milked even those odd bits of "he's not there" performance for an additional odd impact. All in all I enjoyed the opening acts and was curious to hear more from both of them if I ever get the chance, and I was nicely warmed up for Don't Talk to the Cops.
Classic hot loud Don't Talk to the Cops, simple loud fun beats with Emecks and Djblesone dancing and singing and rapping and El Mizell rapping and hyping and dancing and the crowd dancing all over and sweating and yelling and having a good time.
Good stuff off their two albums, like this one off of "Let's Quit" They also introduced at least one joint about eighties butt they said would be on their upcoming third release. Kelly Lebrock! DTTTC got a dance circle going with a couple of BBoys for a song about BBoys, so that went well too. DTTTC shows are dance shows. Emecks and DJ Blesone always dance their butts off in some synchronized and choreographed moves, El Mizell works it hard, and the audience always ends up dancing all over to the fun beats and chanting repeating lyrics.
Good fun classic Don't Talk to the Cops show, automatic immediate cure for seasonal afflictive disorder: it may be gloomy out and you can't recall what sunlight really feels like, but you can't stop smiling as you leave the show, wiping the sweat off your brow and letting the rain wash the salt down your cheeks.
DTTTC always puts on a dance party every time they play, and you always leave dance partys happy,.
We saw they were playing Heartland (a new venue to me) with some bands that were also new to me and decided to go. In the end Carina dropped out, so Heather and I went to the show.
Heartland is a mildly small space on Roosevelt in the U-District, just North of 53rd. The "stage" is the far end of the room from the entrance, it's not raised or anything. They have some lights up pointing at it, and a sound system too, which worked fine for the crowd of perhaps 40 or 50 that came to see the show.
First up was Everybody Weekend. We were a little late getting in, so we weren't too close to the performer.
Everybody Weekend did an intense set of short, emotional tunes. The intensity pulled me out of the dancing some, getting me into more of a spectator mode as I listened to the lyrics. EW wrote complex unexpected lyrics that reward attention. Interesting opening, nice fit for the venue and the evening.
Next up was Punishment.
Similar to Everybody Weekend in that he sang against pre-sequenced or recorded material, he also sang with some emotional intensity. The crowd enjoyed the beat, dancing and moving some, and his voice carried the song well in this video:
On occasion the performance was low-affect, including a bit where Punishment sang from behind the cloth backdrop, but he milked even those odd bits of "he's not there" performance for an additional odd impact. All in all I enjoyed the opening acts and was curious to hear more from both of them if I ever get the chance, and I was nicely warmed up for Don't Talk to the Cops.
Classic hot loud Don't Talk to the Cops, simple loud fun beats with Emecks and Djblesone dancing and singing and rapping and El Mizell rapping and hyping and dancing and the crowd dancing all over and sweating and yelling and having a good time.
Good stuff off their two albums, like this one off of "Let's Quit" They also introduced at least one joint about eighties butt they said would be on their upcoming third release. Kelly Lebrock! DTTTC got a dance circle going with a couple of BBoys for a song about BBoys, so that went well too. DTTTC shows are dance shows. Emecks and DJ Blesone always dance their butts off in some synchronized and choreographed moves, El Mizell works it hard, and the audience always ends up dancing all over to the fun beats and chanting repeating lyrics.
Good fun classic Don't Talk to the Cops show, automatic immediate cure for seasonal afflictive disorder: it may be gloomy out and you can't recall what sunlight really feels like, but you can't stop smiling as you leave the show, wiping the sweat off your brow and letting the rain wash the salt down your cheeks.
DTTTC always puts on a dance party every time they play, and you always leave dance partys happy,.
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